DSA Monthly Meeting - Thursday, Sept 7thLocation: Your home
6:30 pm: Networking7:00 pm: Program followed by song critiques for membersZoom ID # 247 652 3092 https://us02web.zoom.us/j/2476523092Featuring Dae Bogan!
Dae Bogan serves as Head of Third-Party Partnerships for The Mechanical Licensing Collective (The MLC), where he leads The MLC’s strategy for engaging third-party entities to support initiatives in rights administration, data management, operations, and membership services. He will be able to give us some great insights into the issue of mechanical licensing and its importance to all of us as songwriters, so you definitely won't want to miss this one. Here is his bio.
Dae Bogan serves as Head of Third-Party Partnerships for The Mechanical Licensing Collective (The MLC), where he leads The MLC’s strategy for engaging third-party entities to support initiatives in rights administration, data management, operations, and membership services.
A passionate music creators' rights advocate who enjoys exploring the global music rights landscape through the lens of business and technology, Bogan is also an adjunct lecturer at the UCLA Herb Alpert School of Music. In this role, Bogan develops and teaches the music industry entrepreneurship course for which he was recognized in Billboard's "The 15 Best Music Business Schools In 2017."
Prior to joining The MLC and teaching at UCLA, Bogan’s passion for innovation at the intersection of music and technology led him to found three companies: music rights administration technology company TuneRegistry, unclaimed music royalties and licenses search engine RoyaltyClaim, and in-store music video network Maven Promo. Each of these companies has since been acquired.
Early in his career, Bogan worked directly and more creatively with recording artists, songwriters, music producers, and DJs as the owner-operator of an independent record label, a music publishing company, and a boutique artist management firm before pivoting into technology in 2012.
Dae holds an MA in Music Industry Administration with a focus on music publishing and copyright administration from California State University, Northridge and a BA in sociology from the University of California. He resides in Los Angeles, California where he organizes SoCal Music Industry Professionals, an informal networking community of music industry professionals who live in Southern California.
Also, be sure to get in your songs to be critiqued by industry pros Barbe McMillen and Joe Milton and considered for the 2023 Member Song Contest and Songwriter of the Year. Please Note: You must go to the Dallas Songwriters website (see link below) to enter your song, or you can play them live. When you go to the website look for "Forms" on the upper right-hand corner of the page then point to "Song Critiques" and the form will show up. You can type in the lyrics or cut & paste. For the song audio go to "Choose File" and load your audio file(s). You can pay online via the critique form, and the cost is $10 per song.
If you have a problem with this link, you can pay on square and show lyric and play audio on your computer. Here is square link.
https://squareup.com/store/dallas-songwriters-association
http://www.dallassongwriters.org
Each
song is entered into the Song of The Year and Songwriter of the Year
Competition which is awarded at our Program in February.
DOWN THE LINE:
OCT 5 - TBA
NOV 2 - TBA
DEC 7 - DSA Christmas Party